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A nigh-immortal psychic with vampiric abilities, her master plan involved building a cult styled on the old America and farming the gullible humans who joined up for their life energy. With Red Skull previously in the background, Selena Gallio had emerged as the previous high-profile politically themed villain. But even in the context of his Captain America series, which has visited this theme previously in less bombastic ways, the delivery has fallen flat. So it’s easy to see how Coates ended up concluding that turning Red Skull into a Peterson-esque figure was socially relevant, absurd though that idea may seem out of context. To liberals, the main charge that can be leveled against Peterson is that he uses his genuinely good life advice as a Trojan horse to infect the masses with objectionable right-wing beliefs. This aspect of Peterson’s career is quite unobjectionable on its own. His famed 12 steps involve such harmless platitudes as trying to be articulate, making supportive friends, and telling the truth. So he puts out motivational videos and encourages his fans to build up their self-esteem. He observes that people in the United States, and young people in particular, are quite depressed. Coates works in comics because of the abiding belief in liberal circles that pop culture is a direct influence on proper culture, and that social-justice-oriented themes can trickle down to the masses.
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Both men are still hard at work in the culture war, they’re just doing so from a passive angle now. The answer is more intuitive than you might expect. So why are they having a spat now? The woke comics proxy war Peterson went from a conscientious objector on the topic of referred pronouns to a self-help guru. Coates went from meditating on race in The Atlantic to writing superhero comic books. The shock would be particularly harsh for those who haven’t been paying attention to them for the last few years. Ta-Nehisi Coates and Jordan Peterson were two of the more important political thought leaders of the teens, but no one would have expected their names to come up simultaneously in this, of all contexts. Such is the great irony of our social media moment, when Peterson reacted with bewilderment on Twitter when a fan informed him of the comic in question. Then, a mere three issues later, we get the surreal visual of Red Skull corrupting the youth with a Jordan Peterson-style media empire. The story of the humble lawyer falls somewhat afoul of stereotypes, leaning rather heavily on the antiquated overqualified immigrant trope and not really using an appropriate ethnicity for that kind of story besides, given that South Korea is a developed democracy with an infamously byzantine legal code.īut for this brief story, Coates nevertheless does a good job staking out his ideal vision of what the United States is and should be.
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In the 25th issue of Ta-Nehisi Coates’ run as the writer on Captain America, a side story follows the main event where the titular superhero speaks at the funeral of a Korean immigrant lawyer named Sung Jin Jeong.